No excuses this time

Excuses, excuses. There’s always something, isn’t there?

“It’s a great idea but I’m really busy at the moment?”

“I’d love to but I’ve got so much on, you wouldn’t believe!”

“I would but I’m completely snowed under. Next time.”

Well, I guess this was us. We’d known about Theatre Uncut for some time. It’s a theatrical call to arms, originally in response to the 2011 cuts in public spending. Every year, Hannah Price and Emma Callander of Theatre Uncut make a number of short political plays available for anyone to perform, rights free, anywhere in the world, creating a theatrical critical mass.

This is, of course, right up our street. We love a bit of theatrical activism but every year we’ve found a reason why we’d have to leave it until next time. To be fair to us, we have been very busy writing, producing, performing, doing the day job, as well as everything else that constitutes our lives. Producing plays is a very time consuming job and when you have a lot else going on, taking on yet another project might not make you very popular with your long-suffering loved ones.

This year was no different. Here at Whoop ‘n’ Wail we are preparing for the next stage in the development of our new play But For Us – watch this space for more on that! and what with putting together our creative team, applying for funding and scheduling some R&D, the likelihood of us producing anything from this year’s Theatre Uncut Power Plays looked very slim indeed:

“But, hang on. Not again! It’s like this every year and every year we miss out. Surely one more little side project won’t kill us!”

So we thought, realistically, the best we could do was get a few people around to Whoop ‘n’ Wail HQ for a really informal play read and good old fashioned discussion. So we did.

Bringing together friends and collaborators, some we haven’t seen in years and others we’ve only just met, we had our get-together on the morning of Sunday 24th June 2018. We read through the plays in turn and more than once, each provoking so much chat that we had to start watching the clock as we all had a variety of rehearsals, performances, meetings and social whirlery to get to later in the day. And apart from downloading and printing scripts, stocking up with plenty of tea and coffee and baking a batch of Whoop ‘n’ Wails infamous Caramac Cookies, very little time and effort needed to go into it. You can find extracts of our play reading here.

Theatre Uncut 2018

Theatre Uncut – Power Plays read by Paul Taylor, Ali Kemp, Radhika Aggarwal, Madeleine MacMahon, Deborah Klayman, Cassandra Cartwright

 

We will do the same next year, unless we decide to go the whole hog that is. But either way, from a small community here in the front room to the global community of Theatre Uncutters, we are all taking part in the discussion, not putting it off until next time.

“Theatre can create community and community, I know, can create change.”      

Emma Callander, Theatre Uncut 5-4-5 Podcast 1

The release period for this year’s plays has been extended until the end of the year – download, perform and debate Power Plays.

A selection of Power Plays will be performed at Traverse Theatre during the Edinburgh Festival on the 6th & 13th August 2018.

COMING SOON: The writers’ submission brief for the next Whoop ‘n’ Wail Represents…

Here at Whoop ‘n’ Wail HQ we are taking one last look back at Represents…Desire with a very big thank you to all the fabulously creative people who came together to make it all happen.

“A celebration of feminist theatre that explodes any notions that it’s predictable or restrictive.”

James Waygood, Grumpy Gay Critic

We would like to give particular thanks to the writers, and not just those whose work was included, but all those who took the time to create and submit their work for consideration. With submissions from across the globe and three US writers included in the lineup, it has truly been an international adventure and look forward to seeing the relationships that have been forged flourish into the future.

Here are some pictorial reminders of the pieces, courtesy of George Riddell to whom we are very grateful – the quotes are taken from the review written by James Waygood and published on grumpygaycritic.co.uk.


 

Heart’s Desire by Ali Kemp & Deborah Klayman, directed by Emily Bush

“Kemp and Klayman do a wonderful job of using game rounds to establish the main characters backgrounds and intentions…the twist is quite a surprising one and is worth the pay off.”

Heart's Desire

(L-R) Caroline Loncq, Georgina Panton, Isobel Wolff, Jonathan Akingba


The Hidden Room by Patricia Reynoso, directed by Norman Murray

“An absolutely blistering and affecting piece, and possibly my favourite for the evening.”

Hidden Room 2

Radhika Aggarwal & Ariadne Barnes


Three AM by Barbara Blumenthal-Ehrlich, directed by Dan Horrigan

“Acted superbly by Klayman and Charlotte Couture as the two women on the edge, it’s a snappy little piece of bite and humour.”

ThreeAM

Deborah Klayman & Charlotte Couture


Nice Jumper by Daniel Page, directed by Alice Bonifacio

“Page’s characters have a wonderful little repartee going on throughout, and a slow reveal that has you wondering what on earth is going on right up to the last minute.”

Nice Jumper 2

(L-R) Anyebe Godwin, Dani Moseley & Lizzie Bourne


Would You Let Me Finish by Leon Kaye, directed by Sarah Davies

“Kaye’s lambaste of the TV psychic circuit is bang on form and incredibly witty.”

WYLMF 3

Nichola Rivers & Laura Garnier


The Work-Love Balance by Tom Jensen, directed by Tom Neill

“certainly the boldest and most experimental piece of the evening,which it pulls off marvellously well.”

WLB

(L-R) Emily Stride, Lee White & Rachel Dobell


COMING SOON:

The writers’ submission brief for the next Whoop ‘n’ Wail Represents…

The denouement of Desire.

Represents…Desire couldn’t have gone better. What a fantastic team of writers, directors, actors and technicians we had. And of course, all coming together at Waterloo East Theatre with the wonderful support of Gerald Armin. And then there were the audiences – the place was packed on both nights with friends and family; WET regulars and people who just wanted to know what Represents…Desire was all about.

As Debs was performing in Barbara Blumenthal-Ehrlich’s Three a.m., I took on the stage management duties. During Friday’s technical rehearsal, amongst welcoming a succession of directors with their casts; keeping a sharp eye on timings, making sure that everyone kept to schedule; running for teas and coffees; setting up the props table; and of course, feeding everyone Caramac cookies, I had a moment.

I suddenly became acutely aware of myself, where I was and what I was doing. Sitting in the auditorium, the tech for The Hidden Room by Californian based writer Patricia Reynoso was underway. I looked back to see director Norman Murray discussing lighting states with Paul Kevin-Taylor and Tom Neill – three men, who I originally know from completely different places. Looking to the stage, I saw two actors, Radhika Aggarwal and Ariane Barnes, who I had never met before, both were friendly and professional and as it turns out, sensitive and powerful performers.

Radhika Aggarwal & Ariane Barnes in The Hidden Room by Patricia Reynoso

Radhika Aggarwal & Ariane Barnes in The Hidden Room by Patricia Reynoso

And as I was sitting there in the auditorium, I felt such an enormous sense of pride. Little old me and Debs (actually it’s me that’s old, not so much Debs) had done this. We had brought all this creative energy into one room and everyone was so focused on the same aim  – a right good show, which it was.

But there is no time for all this self indulgent reflection. Represents…Desire has come to an end, today is Sunday and I for one can safely say I’m still in my pyjamas.

Tomorrow, however, is a new week and preparations will begin for the next Whoop ‘n’ Wail Represents….

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