But For Us R&D

Last week we held our research and development week for But For Us at the Old Diorama Arts Centre (ODAC), culminating in a staged reading at the Bush Theatre for community and campaigners, and an Industry showing at ODAC.

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We had a phenomenal group of actors who worked their socks off to interrogate the script and develop the characters, under the watchful eye and skillful direction of Fiona MacPherson. We are extremely grateful to them for their willingness to hit the ground running, achieving a tremendous amount within the very limited time available to us.

We’d also like to say a huge thank you to all of the team at ODAC. Being Associate Performers has been an invaluable opportunity for us, and we thoroughly recommend other emerging artists explore this opportunity. Without ODAC, our R&D would not have been possible. And talking of which, another enormous thank you to our Kickstarter funders, without whom we would not have been able to pay anyone for all this hard work!

The showing at the Bush Theatre studio was sold out, with a fantastic atmosphere and a hugely appreciative audience. The feedback that we have collected from both readings will be invaluable as we take But For Us forward to the next stage.

So what is the next stage for But For Us?

Well, we did give ourselves the weekend off -but now we are back on it. We are digesting all the incredibly positive feedback we have received, as well as taking on board one or two constructively critical notes. We will then look towards fully integrating the video elements of the script, in collaboration with colleagues with projection design expertise. Ultimately, of course, our aim is to take But For Us to as wide an audience as possible with a fully staged production.

We will keep you posted!

Ali & Debs

Whoopnwail_Butforus-1207

L-R back: Deborah Klayman (Writer/Producer), Adil Akram (Naveen), Nicky Goldie (Brenda), Eva Fontaine (Mary), Andre Lecointe-Gayle (Martin), Harry Napier (Ricky), Ali Kemp (Writer/Producer). L-R front: Natascha Slasten (Gretel), Lesley Ewen (Dora), Roger Conneff (Ray), Fiona Macpherson (Director).

With thanks to Alex Harvey-Brown at Savannah Photographic for the fantastic rehearsal photography, and for filming the reading at the Bush Theatre studio.

 

 

Our R&D week is finally here!

After months of preparation, our R&D week is finally here!

We are delighted to welcome a wonderful group of actors to work on the But For Us script with playwrights Ali Kemp & Deborah Klayman and director Fiona McPherson at the Old Diorama Arts Centre (ODAC), where Whoop ‘n’ Wail are Associate Performers.

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Our sharing evening for campaigners and community at the Bush Theatre studio on Thursday 12th September is already sold out, ahead of our Industry Sharing on Friday 13th September at ODAC. We hope you will be joining us!

Follow us on Twitter for updates throughout the week, or join our mailing list here for all the Whoop ‘n’ Wail news!

 

But For Us table read

In January, this happened…..

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But For Us table read January 2019, Old Diorama Arts Centre

Photos by Stew Calladine @arty_stew

Hearing actors, most that we’d never met before, discuss and read our characters with such intimate knowledge of them was a strange and wonderful experience. This play has been about three years in the writing, and at the reading it really felt like it was stepping out in the big wide world and starting a life of its own, finding its own voice. It got us quite emosh.

A huge thanks to the actors for their enthusiasm and invaluable input: Adil Akram, Yvonne Campbell, Roger Conneff, Eva Fontaine, Érin Geraghty, Andre Lecointe, Natascha Slasten and PK Taylor. Our eternal gratitude also to Paula David and Swee Wildman for their insightful contributions. It was a joy to be led by director Fiona MacPherson and wonderful to be reunited with friend of Whoop ‘n’ Wail, Stew Calladine, who took the photos for us.

Thanks also to The Old Diorama Arts Centre, who are supporting the development of our work through the Associate Performers Scheme – ultimately, without them, this day couldn’t have happened.

So, what next?

We aren’t sitting back on our laurels that’s for sure!

Feeling super inspired by Rikki Beadle-Blair’s, “Life’s A Pitch” workshop (Old Vic Workshops For Artists), and with tailored advice from David Byrne (New Diorama Monthly Artist Surgeries), we’re full steam ahead in preparation for two weeks of research and development in the spring.

You gotta play a long game to get from page to stage, but look at all the fabulous people you get to meet and learn from along the way!

 

Call out for actors

Dora

Whoop ‘n’ Wail Theatre are casting 8 actors (ages between 40 – 80, including specifically BAME) for a one-day table read of a brand new play, But For Us, by award winning playwrights Ali Kemp and Deborah Klayman. This is an unpaid opportunity for actors with a passion for new writing and an interest in the welfare state, social inclusion and politics. The plan for the day will be a read through followed by a discussion, then work on individual sections as decided by the director. This is to inform an ongoing R&D process with a view to a future production.

Please visit the casting page on our website for the full details and character breakdown. Deadline for submissions is Tuesday 18th December 2018.

Synopsis

Welfare’s in a state and the pensioners are revolting.

In 2022, the Uncoupled Kingdom is feeling the pinch and welfare’s in a state. Prescription charges are through the roof, hospitals are bursting at the seams, and camps have sprung up on the borders. Now Chastity Healthcare has the NHS in its sights and the pensioners are revolting.

75-year old Dora Cockburn came to the UK as a child on the Windrush, and ever since has lived on an estate in Shepherd’s Bush. A life-long socialist and campaigner, she is fighting to save the NHS from the politicians and privateers, with only a packet of questionable biscuits and partner-in-crime Ray to help her overcome. Now, her estranged son is on her doorstep – what’s a woman to do?

Martin Cockburn is Conservative Minister for Health and Social Care, and he’s standing for re-election. What’s in his way? Toeing the party line, rebellious constituents, and a wife that’s kicked him out. When you’re forced to live with your Trotskyite mum, how can you become Britain’s top Tory?

From the halls of power to the high rise and the cabinet to the camps, Dora must battle power plays, family feuds and media muscle in her quest for victory. But when the biscuits are down, help may come from an unlikely source…