What’s in it for me?

Guest blogger, actress and award winning writer Dani Moseley says  if put yourself out there, you’ll find out.

Dani

Last year summer my best friend had started acting in short, one off theatre showcases and going on about how great they were and how I should get involved. I turned my nose up at the idea, thinking: ‘I don’t need to do work like that anymore’. I know, right, who did I think I was? Lol. But, work was getting quiet and I, wanting a change from just doing youth theatre tours, trusted her so, when director Alice Bonifacio, offered me the opportunity to take part in Whoop ‘n’ Wail Represents….The Launch, I slightly reluctantly took it.

Music Box 3

Dani taking notes from director Alice Bonifacio with actress Lizzie Bourne in Three Women in a Music Box by Dan Horrigan

I was cast in an all female three-hander, Dan Horrigan‘s Three Women in a Music Box. The experience was great. I got to work with talented, hard working actresses – Lizzie Bourne and Thea Beyleveld – an inspiring up and coming director and Whoop ‘n’ Wail were really accommodating and approachable with anything we needed to help support the piece. It was great having a tech/dress rehearsal beforehand and having two nights to perform was so nice to learn from. Excitingly, I also received my very first review, which got 5 stars, and that was crazy for me, as I’d never been reviewed in any of the other stuff I’d done.

I hadn’t really thought about inviting anyone to see the show as it was my first time, but amazingly, a director from one of the other plays in Represents… scouted me for The Story Project at the Arcola in Dalston. I performed in The Bird Woman of Lewisham by Chino Odimba, directed by Emily Bush. And from the Arcola, one thing lead to another: I got scouted by a director there for a sight-specific piece in Leicester Square, Rivers of London by Ben Aaronovitch, directed by Eva Sampson. It was awesome and all from Whoop ‘n’ Wail Represents…, the very thing I had turned my nose up at originally.

So, when I heard Whoop ‘n’ Wail were doing another one, Represents…Desire, I was intrigued and then when the same director, Alice, sent through the Nice Jumper script by Daniel Page, I was on board, no hesitation!

Nice Jumper 2

Dani and Lizzie Bourne in Nice Jumper by Daniel Page

The process and experience was even more enjoyable and joining the team was actor Anyebe Godwin. Again we got to see the other plays in the showcase, which is always nice for actors. Again the performances got reviewed and again our play got 5 stars – I even got a double personal mention for my performance!!!

So, for any actors, directors and writers sitting there reading this, thinking that small scale new writing showcases would be of no benefit to them, THINK AGAIN!

Opportunities come from any and everywhere as a creative in the entertainment industry and the fact that you get good writers, directors, actors, reviewers and the chance to invite people to come and see you, what really is of no benefit here?!

So, get off high horse or out of your comfort zone and get involved with Whoop ‘n’ Wail Represents... It all adds up to you putting yourself out there and it’s all experience on the ladder to success.

Dani Moseley is an actress and writer, winning an award for the screenplay of The Forty Elephants. She’s appeared in various TV shows such as ITV’s The Bill; BBC’s Eastenders; Sky1’s The Runaway; and London Live/web series Brothers With No Game. She has appeared on stage at the Arcola, The Cochrane, Leicester Square Theatre and The Catford Broadway. Dani’s showreel can be viewed here.
To see the 5 star reviews Dani refers to, please click here: Three Women in a Music Box and Nice Jumper

 

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My worst nightmare!

Preparing to go on stage as Katie in Madjesty for Whoop ‘n’ Wail Represents…Mayday, I put the finishing touches to my make up. Lipstick on and dabbed, I stood by the wings and waited for my cue. The opening music, The Sex Pistols’ God Save the Queen, fired up and on stage I went.

As the lights went up there was a howl of laughter, screams and wolf whistles from a packed house. What was so funny? We hadn’t even started yet. Why were people laughing?

And as I stood there, bemused, I felt an uncomfortable draft. With horror, and hardly daring to look, I went to place my hands on my stomach, now sick with nerves. My hands were met not with the soft cotton of my blue wrap around dress but the synthetic polyester and elastane silkiness of my big black ‘Bridget Jones’ pants. I stood there, the bright stage lights staring into my blinking eyes, heart pounding and sweat slowly inching down my back.

Taking a deep breath to calm my thumping chest, I slowly opened my eyes. I found myself, rigid and slightly sticky, looking at the streams of bright sunlight streaming through my bedroom window. It was Monday morning and I was due at the theatre for the tech rehearsal. With a huge dose of relief, I chastised myself for not managing a more original anxiety dream. I am a playwright after all!

Madjesty 11

Ali Kemp, Ian Crump & Tom Neill in Madjesty by Ali Kemp & Deborah Klayman

Thankfully Represents…Mayday went without a hitch. We had packed, appreciative audiences on both nights; six, fantastically interesting plays, all including fully rounded female characters; wonderful performances, beautifully directed;  and although I did flash my big, black ‘Bridget Jones’ pants from under my cobalt blue kimono, it was rehearsed and a part of my character choice!

Debs and I would like to extend our thanks to: Writers Brian Redmond, Paul Howard, Sarah Davies, William Patterson and Lizzie Bourne; Directors Georgie Weedon, Alice Bonifacio, Marc Kelly, Janet Palmer, James Callas Ball and Paul Kevin-Taylor; Actors Sharon Maughan, Amy Cooke Hodgson, Jonah Fazel, Chinwe A Nwokolo, Bronte Tadman, Coleen Daley, Miranda Dawe, Ian Curran, Rachal Olivant, Laura Garnier, Anna Brooks-Beckman, Roberta Morris, Sophie Mackenzie, Lydia Huhne, Gerri Farrell, Tom Neill and Ian Crump; Technical support Tom Neill, Paul Kevin-Taylor, Eirik Bar and Gareth Radcliffe; Photography George Riddell; Graphic design Stewart Calladine @arty_stew; Waterloo East Theatre Gerald Armin and staff; and Sam Hall with 17percent for continued support.

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A music box, a nice jumper and the shipping forecast.

Guest blogger, actress and playwright Lizzie Bourne is looking forward to seeing how the truth will out.

Alice Bonifacio directed me in ‘Amadeus’ at the University of Edinburgh – a brilliant experience from start to finish. So when she asked if I’d be interested in being directed by her again, in ‘Three Women in a Music Box’ for Represents…The Launch, it was a no brainer.

When Alice brought Thea Beyleveld, Dani Moseley and I into that rehearsal room it was, as they say, love at first sight. We bantered as easily as the characters in Dan Horrigan’s fun, playful and poignant script, which builds up to a young girl’s first date, and relished sharing memories of our own teenage years. We had three or four meetings under Alice’s considerate direction before the performances, and enjoyed playing onstage in the safe, supportive atmosphere Debs and Ali champion for all casts.

Lizzie with Thea Beyleveld and Dani Moseley in Three Women in a Music Box by Dan Horrigan

Lizzie with Thea Beyleveld and Dani Moseley in rehearsal for Three Women in a Music Box by Dan Horrigan

For Represents…Desire, Alice, Dani and I were happily joined by Anyebe Godwin, this time to tell a story which on its face seemed darker than ‘Three Women’, called ‘Nice Jumper’. However, the humour Daniel Page had written into it shone through, and within the creative character and intention work which is a characteristic part of Alice’s directing, each of us found a great story arc. The performance nights were even better this time: perhaps we were more consciously anticipating seeing the other plays, looking forward to being in the space with the Whoop ‘n’ Wail team again…thinking of Ali’s baked goods. Whatever it was, the night was fun and full of fresh work – but I have to admit, what we loved most was getting to wear those awesome jumpers.

Nice Jumper 1

Lizzie with Dani Moseley in Nice Jumper by Daniel Page

Although I have a Creative Writing MSc, since graduating from the Oxford School of Drama acting and the pursuit of acting work has dominated (funny that). But I’d made decent money from my last Radio 4 job, so had generously and indulgently promised myself a few weeks off work to write – and low and behold, at the start of that period, the call went out for Represents…Mayday. How could I not?

Whoop ‘n’ Wail’s deal is that if your play is shortlisted and a director, unknown to you, chooses it, they will cast it and prep it – within this system Ali and Debs, in their organisational wisdom and immense capacity to involve and facilitate, allow as many people as possible to be as creative as possible. I’m looking forward to seeing how ‘The Shipping Forecast’ is interpreted by the cast in performance – it’s how I’ll hear and learn from the holes in the script, but also how I’ll be given truth I didn’t know was there.

Let’s cross our fingers, for the director and cast’s sake at least, for fewer holes and more truth. Come along on 27/28th April to Waterloo East Theatre and see.

Lizzie Bourne is a graduate of The Oxford School of Drama. Skills include cello, singing and puppetry, as well as playwriting. http://www.spotlight.com/LizzieBourne. Her play ‘The Shipping Forecast’, directed by James Callas Ball, will be performed as one of six short plays in Whoop ‘n’ Wail Represents…Mayday at Waterloo East Theatre.

Whoop ‘n’ Wail Represents…Mayday
Waterloo East Theatre, London, SE1 8TG
Monday 27th & Tuesday 28th April 2015, 7.30pm
Tickets on sale now: £10 in advance (£12 on the door)
Box office: 020 7928 0060 / www.waterlooeast.co.uk

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Here it is: The line-up for the third Represents… showcase!

Mayday - Banner

We wish to extend our thanks to all the writers from across the UK who have sent us their work in response to the theme of Mayday. It has truly been a pleasure to read such a broad range of plays, all of which include significant female characters and in doing so bring theatre in the UK closer to achieving realistic gender representation.

We are excited to be able to announce the line up for the third Whoop ‘n’ Wail Represents… returning to Waterloo East Theatre on 27th & 28th April 2015:

Whoop ‘n’ Wail Represents…Mayday

The Clearing by Paul Howard, directed by Alice Bonifacio

The Shipping Forecast by Lizzie Bourne, directed by James Callas Ball

The M Word by Brian Redmond, directed by Georgie Weedon

Madjesty by Ali Kemp & Deborah Klayman, directed by Paul Taylor

Resting by William Patterson, directed by Janet L Palmer

Grit by Sarah Davies, directed by Marc Kelly

Congratulations to all the successful playwrights, and we look forward to seeing your work on stage at the end of April!

We are welcoming Lizzie Bourne back to Represents… as she has performed in the previous two showcases and is now sharing her talent as a writer. Alice Bonifacio and Paul Taylor are also returning as directors for Team Represents…; and we are delighted that James Callas Ball, Georgie Weedon, Janet L Palmer and Marc Kelly will be joining them for the first time.

Our playwrights have been put in touch with their directors and casting is well underway.

All there is to do now is for you to book your tickets! Remember there is a £2 discount if you book in advance – plus you don’t want to be one of those people who we’ve had to turn away when the performances have sold out!

Whoop ‘n’ Wail Represents…Mayday
Waterloo East Theatre, London, SE1 8TG
Monday 27th & Tuesday 28th April 2015, 7.30pm
Tickets on sale now: £10 in advance (£12 on the door)
Box office: 020 7928 0060 / www.waterlooeast.co.uk

Approximate running time: 2 hours 15 including interval.

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COMING SOON: The writers’ submission brief for the next Whoop ‘n’ Wail Represents…

Here at Whoop ‘n’ Wail HQ we are taking one last look back at Represents…Desire with a very big thank you to all the fabulously creative people who came together to make it all happen.

“A celebration of feminist theatre that explodes any notions that it’s predictable or restrictive.”

James Waygood, Grumpy Gay Critic

We would like to give particular thanks to the writers, and not just those whose work was included, but all those who took the time to create and submit their work for consideration. With submissions from across the globe and three US writers included in the lineup, it has truly been an international adventure and look forward to seeing the relationships that have been forged flourish into the future.

Here are some pictorial reminders of the pieces, courtesy of George Riddell to whom we are very grateful – the quotes are taken from the review written by James Waygood and published on grumpygaycritic.co.uk.


 

Heart’s Desire by Ali Kemp & Deborah Klayman, directed by Emily Bush

“Kemp and Klayman do a wonderful job of using game rounds to establish the main characters backgrounds and intentions…the twist is quite a surprising one and is worth the pay off.”

Heart's Desire

(L-R) Caroline Loncq, Georgina Panton, Isobel Wolff, Jonathan Akingba


The Hidden Room by Patricia Reynoso, directed by Norman Murray

“An absolutely blistering and affecting piece, and possibly my favourite for the evening.”

Hidden Room 2

Radhika Aggarwal & Ariadne Barnes


Three AM by Barbara Blumenthal-Ehrlich, directed by Dan Horrigan

“Acted superbly by Klayman and Charlotte Couture as the two women on the edge, it’s a snappy little piece of bite and humour.”

ThreeAM

Deborah Klayman & Charlotte Couture


Nice Jumper by Daniel Page, directed by Alice Bonifacio

“Page’s characters have a wonderful little repartee going on throughout, and a slow reveal that has you wondering what on earth is going on right up to the last minute.”

Nice Jumper 2

(L-R) Anyebe Godwin, Dani Moseley & Lizzie Bourne


Would You Let Me Finish by Leon Kaye, directed by Sarah Davies

“Kaye’s lambaste of the TV psychic circuit is bang on form and incredibly witty.”

WYLMF 3

Nichola Rivers & Laura Garnier


The Work-Love Balance by Tom Jensen, directed by Tom Neill

“certainly the boldest and most experimental piece of the evening,which it pulls off marvellously well.”

WLB

(L-R) Emily Stride, Lee White & Rachel Dobell


COMING SOON:

The writers’ submission brief for the next Whoop ‘n’ Wail Represents…

The denouement of Desire.

Represents…Desire couldn’t have gone better. What a fantastic team of writers, directors, actors and technicians we had. And of course, all coming together at Waterloo East Theatre with the wonderful support of Gerald Armin. And then there were the audiences – the place was packed on both nights with friends and family; WET regulars and people who just wanted to know what Represents…Desire was all about.

As Debs was performing in Barbara Blumenthal-Ehrlich’s Three a.m., I took on the stage management duties. During Friday’s technical rehearsal, amongst welcoming a succession of directors with their casts; keeping a sharp eye on timings, making sure that everyone kept to schedule; running for teas and coffees; setting up the props table; and of course, feeding everyone Caramac cookies, I had a moment.

I suddenly became acutely aware of myself, where I was and what I was doing. Sitting in the auditorium, the tech for The Hidden Room by Californian based writer Patricia Reynoso was underway. I looked back to see director Norman Murray discussing lighting states with Paul Kevin-Taylor and Tom Neill – three men, who I originally know from completely different places. Looking to the stage, I saw two actors, Radhika Aggarwal and Ariane Barnes, who I had never met before, both were friendly and professional and as it turns out, sensitive and powerful performers.

Radhika Aggarwal & Ariane Barnes in The Hidden Room by Patricia Reynoso

Radhika Aggarwal & Ariane Barnes in The Hidden Room by Patricia Reynoso

And as I was sitting there in the auditorium, I felt such an enormous sense of pride. Little old me and Debs (actually it’s me that’s old, not so much Debs) had done this. We had brought all this creative energy into one room and everyone was so focused on the same aim  – a right good show, which it was.

But there is no time for all this self indulgent reflection. Represents…Desire has come to an end, today is Sunday and I for one can safely say I’m still in my pyjamas.

Tomorrow, however, is a new week and preparations will begin for the next Whoop ‘n’ Wail Represents….

WATCH THIS SPACE

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And relax. Well, kinda…

It’s been a few days since our last show – for the time being – at Waterloo East Theatre and Ali & Debs have had the chance to reflect on the wonderful response Whoop ‘n’ Wail Represents..The Launch has had. From the passion and commitment of all the talented creatives involved in putting on this show, to the thirst for new writing that the audience brought with them to the theatre. Although Ali & Debs are now reclaiming those parts of their lives that inevitably go on hold when producing a show, Whoop ‘n’ Wail Represents will be back in the new year. Until then, we thought we’d share with you a few of our rehearsal shots.

Alarm2.2

Michael Walsh and Ali Kemp in Cause for Alarm

Beth Louise-Priestley and Matt Mowat in Dust

Frontier2.4

Gavin Dobson and Victoria Denard in The Final Frontier

Horizon 3

Amy Flight and Amanda Croft in On the Horizon

Laundrette2.1

Gerri Farrell in My Bloody Laundrette

Laundrette2.12

Deborah Klayman, Georgina Periam and Gerri Farrell in My Bloody Laundrette

Music Box 5

Lizzie Bourne, Thea Beyleveld and Dani Moseley in Three Women in a Music Box

Lovely Tom

The rather lovely Tom Neill

Frame Up

Paul Kevin-Taylor and Tom Neill have left the building – goodnight everybody!