But For Us R&D

Last week we held our research and development week for But For Us at the Old Diorama Arts Centre (ODAC), culminating in a staged reading at the Bush Theatre for community and campaigners, and an Industry showing at ODAC.

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We had a phenomenal group of actors who worked their socks off to interrogate the script and develop the characters, under the watchful eye and skillful direction of Fiona MacPherson. We are extremely grateful to them for their willingness to hit the ground running, achieving a tremendous amount within the very limited time available to us.

We’d also like to say a huge thank you to all of the team at ODAC. Being Associate Performers has been an invaluable opportunity for us, and we thoroughly recommend other emerging artists explore this opportunity. Without ODAC, our R&D would not have been possible. And talking of which, another enormous thank you to our Kickstarter funders, without whom we would not have been able to pay anyone for all this hard work!

The showing at the Bush Theatre studio was sold out, with a fantastic atmosphere and a hugely appreciative audience. The feedback that we have collected from both readings will be invaluable as we take But For Us forward to the next stage.

So what is the next stage for But For Us?

Well, we did give ourselves the weekend off -but now we are back on it. We are digesting all the incredibly positive feedback we have received, as well as taking on board one or two constructively critical notes. We will then look towards fully integrating the video elements of the script, in collaboration with colleagues with projection design expertise. Ultimately, of course, our aim is to take But For Us to as wide an audience as possible with a fully staged production.

We will keep you posted!

Ali & Debs

Whoopnwail_Butforus-1207

L-R back: Deborah Klayman (Writer/Producer), Adil Akram (Naveen), Nicky Goldie (Brenda), Eva Fontaine (Mary), Andre Lecointe-Gayle (Martin), Harry Napier (Ricky), Ali Kemp (Writer/Producer). L-R front: Natascha Slasten (Gretel), Lesley Ewen (Dora), Roger Conneff (Ray), Fiona Macpherson (Director).

With thanks to Alex Harvey-Brown at Savannah Photographic for the fantastic rehearsal photography, and for filming the reading at the Bush Theatre studio.

 

 

Anyone for a spot of anarchy?

Dora Cockburn, 72, from Shepherds Bush, London, is one of the Windrush Generation. A grandmother and retired social worker, she always enjoys a natter with her friends over a cuppa and a good biscuit. When the biscuits are down, however, she spends the majority of her time indulging in a spot of anarchy.

Dora is an activist, hell-bent on protecting the NHS from the forces of privatisation.

Her son is a Conservative MP, and Minster for Health and Social Care.

Welfare’s a state and the pensioners are revolting.

We’ve spent the last 18 months or so with Dora. We’ve been with her as she’s publicly stood her ground with the powers that be, and has privately been torn between her love for her family and the principles she holds so dear.

Dora is the main character in our new full-length play, currently in development. There may never have been such an interesting and pertinent time to be exploring what the NHS and our public services as a whole mean to us as a nation. As playwrights, we have certainly been given plenty of both inspiration and provocation.

But of course where inspiration fuels art, art fuels inspiration and the thousands of people attending the recent NHS rallies in London have been rousingly accompanied by songs from the National Health Singers, and our very own Debs has been giving it some damn good alto.

Look who was hanging out with them backstage at the rally at the Methodist Central Hall in January.

The National Health Singers joined by Jeremy Corbyn (Deborah Klayman is to his left)

The National Health Singers with Jeremy Corbyn

Debs also had the pleasure of joining the choir at the recording of Maverick Sabre’s Hands Of Hope for the Labour Party’s political broadcast, which was broadcast on national TV earlier this year. This moving film, directed by Josh Cole, acts as a reminder of the challenges we face if we want our NHS to work for the many, not for the few.

And in the year that marks a century since the first stage of suffrage for women, we are reminded of how powerful we can be with the courage of our convictions and how critical it is for all our voices to come together, united and defiant, in support of our public services and, in particular, our NHS.

 

 

 

Whoop ‘n’ Wail Represents…The Writers

Whoop ‘n’ Wail are delighted to announce the six successful playwrights for their February showcase:

Whoop ‘n’ Wail Represents…Desire.

We have been absolutely delighted with the response to our open submission brief, with almost seventy brand new plays from all over the world winging their way to the Whoop ‘n’ Wail submissions inbox.

Our reading team received scripts from Canada, New Zealand, Ireland, the UK and the USA, and were overwhelmed by the innovation and talent shown by the writers as they generously shared their work.

After a lot of hard work, thought and soul-searching – as well as a few heated debates – the final six are:

Nice Jumper by Dan Page (UK)

The Hidden Room by Patricia Reynoso (USA)

The Work-Love Balance by Tom Jensen (UK)

Three AM by Barbara Blumenthal-Ehrlich (USA)

Would You Let Me Finish? by Leon Kaye (USA)

Heart’s Desire by Ali Kemp & Deborah Klayman (UK)

Congratulations to our successful writers

The directors’ announcement will be coming soon – so watch this space. The six writers will already been notified by Whoop ‘n’ Wail and will shortly be connected with their director.

In the meantime, tickets are already on sale from the Waterloo East Theatre’s website: www.waterlooeast.co.uk. There is a discount for advance purchase – to avoid disappointment please book in early as our last showcase sold out! 

innovation   •   entertainment   •   social justice

Represents… tickets now ON SALE

Whoop ‘n’ Wail are getting ready to announce the successful playwrights, selected from responses to our open submission brief.

Our reading team has received almost seventy scripts from both sides of the Atlantic and beyond: brand new plays from Canada, New Zealand, Ireland, the UK and the USA. Currently they are still  locked in debate over which of our ten shortlisted submissions should make the final cut, but tomorrow at 17:00 is the absolute deadline and we will announce here soon after, so watch this space.

In the meantime, tickets are already on sale from the Waterloo East Theatre’s website: www.waterlooeast.co.uk. There is a discount for advance purchase – to avoid disappointment please book in early as our last showcase sold out

OOs

innovation   •   entertainment   •   social justice